I have been at this children’s writing thing for about seven years now. It’s a little shocking that it can take so long to get a feel for what the business is all about, that it can take that long to allow your work to simmer and stew, to read a hundred picture books to get a feel for what separates mediocre from fabulous and to leave unpublishable behind forever. I recently became an agented writer. That’s a milestone! But I still have a ways to go. Is it a long way? Do I have seven more years to go before anything I have written for kids makes it into print? I don’t have any idea! But I hope not. I hope one of the picture books my agent is shopping around will be picked up. I received some positive feedback from one editor who said the work was scandalously witty, but they still passed on it. I think to a certain extent it’s a guessing game.
Will mine be the story they are looking for?
Is it written in the style a particular editor likes?
Did they publish something just like it last year?
Will I finally be at the right place at the right time?
A friend of mine joined a critique group a few years ago and her first submission — a puzzle for Highlights — was accepted. Highlights bought her puzzle! Sometimes you get a home run your first time up to bat, and that’s absolutely amazing! She is a talented writer. Brilliant, even. And here I sit, second guessing myself and revising, revising, revising, seven years later.
Here are a few strategies I’ve found to be helpful when the road gets rocky and I’m tempted to give in to discouragement:
1) Reread “how to” materials — from books to old SCBWI conference notes to helpful websites to blogs and emails I’ve signed up for from people who know the business and have already been successful as published authors. Here are a few to get you started: http://www.jacketflap.com/ , http://www.underdown.org , http://www.write4kids.com/ , http://www.verlakay.com/ .
2) Implement a few of the techniques you’ve just read or reread. Go back to your manuscripts and one by one, pick them apart using the newfound knowledge you just gained. Here are a few tips to get you started:
a) Make sure your main character is loveable. There’s nothing less memorable than a character you have no reason to care about. When he gets into a predicament, you really don’t care if he gets out of it unless you are rooting for him! Try to remember, he’s your “care-actor.” We MUST care about his actions!
b) Make sure that your main character is facing large enough obstacles and working out how to resolve them on his own. Don’t send in a magic fairy to save the day! Let your main character figure out what to do through interacting with others, being courageous, taking the high road when the low road would be easier, etc.
c) Use strong, lively words rather than weak, mushy ones. If your character is loveable and your plot is thick and juicy like a porterhouse steak freshly grilled to perfection, but your words, especially verbs and adjectives, are weak (nice, pretty, kind, ugly, mean, good), no editor is going to publish your work!
3) Last, join a critique group, meet often, form great friendships, and laugh a lot! We are all in this together, and in order to survive the sometimes lengthy period before your manuscript reaches the publishable stage, you’re going to need one another like I need my fellow Mudskippers!